Plays
In The Heart of America
The Inland Sea
The Trestle at Pope Lick Creek
The Girl Who Fell Through a Hole in Her Jumper (with Bruce E. J. McLeod; licensed under the title The Girl Who Fell Through a Hole in Her Jumper in the United States)
The War Boys
Things of Dry Hours
Birdy (an adaptation of William Wharton's novel)
The Fever Chart: Three Visions of the Middle East
Twenty One Positions: A Cartographic Dream of the Middle East (co-written with Lisa Schlesinger and AbdelFattah Abu Srour)
The Hard Weather Boating Party
One Short Sleepe
And I and Silence
The Liquid Plain
Night is a Room
Anthologies
Inside/Outside: Six Plays from Palestine and the Diaspora
Poetry
To Dance A Stony Field (Peterloo Poets Press).
Films
The War Boys, co-written with Bruce E. J. McLeod
Flying Blind, co-written with Bruce E. J. McLeod
Essays
Trump-ocalypse Now?
American plunder didn’t begin with this administration. Our theatrical dissent must be grounded in a holistic critique of state violence:
Radical Vision and Form: A Conversation With Naomi Wallace
For the author of ‘One Flea Spare’ and ‘Night Is a Room,’ the why of playwriting is vastly more important than the how. Still, she has some pointers about both.
Let the right one in: On resistance, hospitality and new writing for the American stage.
On Writing as Transgression: Teachers of young playwrights need to turn them into dangerous citizens.