Naomi Wallace

Plays

• In The Heart of America

• One Flea Spare

• The Inland Sea

• Slaughter City

• The Trestle at Pope Lick Creek

• The Girl Who Fell Through a Hole in Her Jumper (with Bruce E. J. McLeod; licensed under the title The Girl Who Fell Through a Hole in Her Jumper in the United States)

• The War Boys

• Things of Dry Hours

• Birdy (an adaptation of William Wharton's novel)

• The Fever Chart: Three Visions of the Middle East

• Twenty One Positions: A Cartographic Dream of the Middle East (co-written with Lisa Schlesinger and AbdelFattah Abu Srour)

• The Hard Weather Boating Party

• One Short Sleepe

• And I and Silence

• The Liquid Plain

• Night is a Room

• Barrel Wave

• The Return of Benjamin Lay (produced at the Finborough Theatre with Marcus Rediker)

• The Breach

• Returning to Haifa (with Ismail Khalidi)

• Guernica, Gaza (with Ismail Khalidi)

Anthologies

• Inside/Outside: Six Plays from Palestine and the Diaspora

• Double Exposure: Plays of the Jewish and Palestinian Diasporas

Poetry

• To Dance A Stony Field (Peterloo Poets Press).

Films

• Lawn Dogs

• The War Boys, co-written with Bruce E. J. McLeod

• Flying Blind, co-written with Bruce E. J. McLeod

Essays

• Trump-ocalypse Now?

  American plunder didn’t begin with this administration. Our theatrical dissent must be grounded in a holistic critique of state violence:

• Radical Vision and Form: A Conversation With Naomi Wallace

  For the author of ‘One Flea Spare’ and ‘Night Is a Room,’ the why of playwriting is vastly more important than the how. Still, she has some pointers about both.

• Let the right one in: On resistance, hospitality and new writing for the American stage.

• On Writing as Transgression: Teachers of young playwrights need to turn them into dangerous citizens.